Friday, May 24, 2013 Thursday, May 23, 2013
haikuforthesinglegirl:

this picture of bob dylan looks like paul rudd and vincent gallo’s love child. 

haikuforthesinglegirl:

this picture of bob dylan looks like paul rudd and vincent gallo’s love child. 

Wednesday, May 22, 2013
$5 off our tees in the Hype Machine shop!

$5 off our tees in the Hype Machine shop!

Tuesday, May 21, 2013

actuallygrimes:

Nelly Furtado - Say It Right 

Album premiere: Crystal Fighters’ Cave Rave
Is it sunny where you are? You’ll probably have a good time listening to this. 

Album premiere: Crystal Fighters’ Cave Rave

Is it sunny where you are? You’ll probably have a good time listening to this

Monday, May 20, 2013

sealonpsychedelics:

  • Ryan Hemsworth // Perfectly

That dude Ryan Hemsworth is about to drop his new, extremely summery Still Awake EP. Check out what seems like his warmest track yet, Perfectly.

Thursday, May 16, 2013
aaronrutledge:

Here’s a quick analysis of the album structure for Daft Punk’s Random Access Memories. After discussing it at length with a few friends, I wanted to find the real details as to why the album structure was so great.
Here’s what I’ve found:
- They have paced the album to have a mirror structure tonally. The “1st Half” and “2nd Half” of the album are almost the exact same length, and the entire album uses Touch as a central balance point.
- Given Touch’s melodramatic tone, they’ve placed both of the tracks with the strongest groove (both happen to be Pharrell’s guest tracks) right before and after Touch.
- The two slowest tracks are each 1 place from the beginning and end, to keep the overall balance of the album in equilibrium.
- There’s amazing attention to detail in the key changes from track to track. Most easily noticeable in the Chilly Gonzales piano segue from track 3 to 4.
TLDR; Daft Punk have focused on creating something that is intended to be listened to from front-to-back, without any real focus on getting the “singles” in front of you as early as possible. This is something not seen too often in popular music since most things have moved to digital track sales.

aaronrutledge:

Here’s a quick analysis of the album structure for Daft Punk’s Random Access Memories. After discussing it at length with a few friends, I wanted to find the real details as to why the album structure was so great.

Here’s what I’ve found:

- They have paced the album to have a mirror structure tonally. The “1st Half” and “2nd Half” of the album are almost the exact same length, and the entire album uses Touch as a central balance point.

- Given Touch’s melodramatic tone, they’ve placed both of the tracks with the strongest groove (both happen to be Pharrell’s guest tracks) right before and after Touch.

- The two slowest tracks are each 1 place from the beginning and end, to keep the overall balance of the album in equilibrium.

- There’s amazing attention to detail in the key changes from track to track. Most easily noticeable in the Chilly Gonzales piano segue from track 3 to 4.

TLDR; Daft Punk have focused on creating something that is intended to be listened to from front-to-back, without any real focus on getting the “singles” in front of you as early as possible. This is something not seen too often in popular music since most things have moved to digital track sales.

Wednesday, May 15, 2013
I remember when Prodigy had beef with Chumbawamba Tuesday night conversation (via dallas)
Album premiere: Hooded Fang’s Gravez. It’s art punk, or power pop, or indie rock. Check it out for yourself.

Album premiere: Hooded Fang’s Gravez. It’s art punk, or power pop, or indie rock. Check it out for yourself.

Tuesday, May 14, 2013

canadian-space-agency:

Space Oddity Music Video on the ISS

A revised version of David Bowie’s Space Oddity, recorded by Commander Chris Hadfield on board the International Space Station.

Credit: Chris Hadfield

Monday, May 13, 2013
212 plays

ziczagzoom:

The Chase (Theme from Midnight Express) by Giorgio Moroder

Saturday, May 11, 2013
591 plays

nprmusic:

Music supervisor Anton Monsted has been working with film director Baz Luhrmann since the 1990s. Hear him discuss the alt-’90s aesthetic, and the unexpected success, of the Romeo + Juliet soundtrack.

And, oh yeah, you can also hear him talk extensively about hip-hop, jazz and The Great Gatsby here.

Friday, May 10, 2013

Skrillex on why music blogs are important to people looking for new music, and the artists making it. (via SPIN)

Thursday, May 9, 2013

flamgirlant:

Velvet Underground - “Sunday Morning”

Lasert cut wood record.  I love this.

Ad Hoc:

Amid the ongoing 3D printing controversy, Amanda Ghassel has used the technology to create several records— both with a 3D printer and a laser cutter— out of various materials including wood, paper, and acryllic. The quality of the audio is warped by the material and naturally low fidelity (the bit depth hovering between 4-5, compared to the standard 16-bit of a typical mp3), giving strands of audio strange re-interpretation. So far, she has created 3D printed records of Daft Punk, Joy Division, and New Order songs, and laser-printed LPs with songs by The Velvet Underground and Radiohead. Ghassel has also provided vector files so anyone with access to a laser printer can create their own LPs. When choosing a song, she recommends tracks “that are full in the lower to mid range, but also very sparse overall” Check out some of the audio from these creations below and click here to create your own. (via Vinyl Factory)

Wednesday, May 8, 2013